Galėtų būti ir apie mane, bet – apie Antonioni:

It is curious, nonetheless, that a man who is commonly regarded as one of the greatest directors who has ever lived, is a director whose films contain few stories, whose themes are not novel, and who is loathe to say that his films contain a single message.

**iš [Michelangelo Antonioni’s L’Eclisse: A broken piece of wood, a matchbook, a woman, a man  David Saul Rosenfeld](